“Dramatic Poesy” is a term used to describe the writing styles of Greek and Roman literature, from Homer to the end of the Roman Republic. It is a style of literature that is characterized by the use of a larger number of musical notes and meters in the verse. Some scholars believe that this tradition was the original basis of Greek drama.
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Drama is a form of art that expresses an idea or feeling of a story through a dramatic performance. It can be used to educate, entertain and inspire its audience. You can find drama in all fields today, it is present in every genre. Drama is an art form that is rooted in the Greek theatre, which was first developed in ancient Greece. It is used to portray different actions, peoples and stories. It is through this art piece that we have been able to witness how people relate to issues and life through the eyes of their characters. Many people have dedicated their lives to the art form in which they have become famous and have made a name for themselves in the world of drama.
Introduction:
What was the taste of men and women during the time of Dryden? The poem deals with the main critics and people’s tastes. The ideas, on the other hand, were more intriguing after being transformed into a semi-drama.
Shakespeare had a casual approach toward genre mixing, and as a result, he had to put up with a lot of criticism throughout the 17th century. The Dryden raised Shakespeare to the pinnacle for this.
The Dramatic Poesy Summary
There was a conflict between the Netherlands and England at the time. Crites, Eugenius, Lisideius, and Neander were the names of the four males. These four, on the other hand, were going by boat to witness the battle and had a lengthy conversation based on contemporary literature.
Crites’ Perspective
The Crites was a supporter of classical theater throughout the debate. He is a firm believer in theater as a kind of life imitating. Modern dramas, he claims, are a mirror of ancient plays. He goes on to argue that the most skilled language is found in classical theater.
Eugenius’ Point Of View
In comparison to the Crites, Eugenius had a distinct perspective on plays. He is a fan of contemporary dramas. Eugenius was less concerned with extolling the advantages of modernity and more concerned with critiquing the flaws of classical playwrights.
Eugenius argues that classical plays lack creativity and love, and that the dramas are not split into acts correctly. He said that the audience is already familiar with the humor and myth that the playwright employs in ancient plays.
Eugenius used Homer’s play heroes as an example, noting that the hero was enamored with eating, among other things, while the contemporary figure gave up everything.
The View From Lisieux
Lisidieus was a supporter of early-seventeenth-century French theatre. According to Lisidieus, the French playwright never combines tragedy with humor in his work.
He went on to explain that French dramatists constantly mix fact and fantasy, and that in order to make the play more fascinating, they delve into history. Rather than plots, the French theatre focuses on feeling.
Neander’s Point Of View
The grandeur of Elizabethans is supported by Neander. According to him, the Elizabethans were the only ones who had met the drama’s requirements. He also believes that the sad and comedic elements of the drama are the most enjoyable.
Both sorrow and pleasure are shown in Elizabethan theater, and one may easily connect it to their own lives. The Neander believes that a subplot may enhance a drama, but French theatre lacks this quality since the playwright concentrates only on the main storyline.
Neander believed that natural acting might be produced if the performer was given more time.
Conclusion:
All four companions arrived safely at their destination. The buddy came to no conclusion on the event.
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